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Three bangles that were shown at the Fingers Gallery as part of the Graduate Show, July 2013

All surfaces are manipulated by hand and then covered with liquid enamel.

The surface draws the eye to the beauty found in impermanence and deterioration over time the underlying surface will reveal itself to the wearer,

This indeterminate nature of finish intrigues me.

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Graduate Metal 13 Brisbane

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Not quite a month since the show but still a little too long after it to write anything apart from my own musings on the experience.
The range of work exhibited was vast. From the huge piece in this image to small intricately pierced pieces of metal.

 

 

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From the personal perspective of this been my first jured show, I still didn’t quite believe it was there.

Why? Well good old self-doubt came into play but the best thing was it was real. I was there looking at it and all because I had bothered to send in an image.

So if absolutely nothing else the experience has taught me to ‘give it a go’ because you never know what somebody else sees in your work. Exceedingly hard at times, at other times genuinely surprising and encouraging.

 

If you look really hard those are my bangles under glass !!!!

what will lie beneath

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This could well be the most time consuming and difficult thing I have started.
The idea of making a bangle by using rivets to attach all the pieces seemed such a great concept at 3am ! The principle has come from observations of bridges and planes and the method used to construct them.
The bizarre part is it is the intention that all this work will be covered in enamel. The word ‘why’ keeps jumping into my head as I struggle with another rivet.
Watch this space for developments.

Velvet de Vinci

After some 20 years I recently got the opportunity to visit San Francisco again. It truly was like meeting an old friend again, you know the ones you don’t speak to for ages and when you do it was like yesterday.

Well here I was smiling again as I walked those crazy hills, this time hunting out this amazing gallery with husband in tow ( last time we were travellers together with added benefits!) As part of a family ski trip I had said we had to spend time in SFO, and I needed to find this gallery. So children been looked after by friends (times change) I dragged him along on my mission. Thankfully, sun was shinning and the city so welcoming there were few complaints.

After about 30mins walking we found the gallery. How fortunate were we, it was the last weekend of Ferrous.
I was in a state of pure excitement, that just got better. Mike was so accommodating and interested in what I had achieved I truly felt like a girl in a sweet shop.

The show had a wide range of jewellers represented along with the gallery’s permanent collection. I had the wonderful opportunity to get up close and personal to a piece by Ramon Puig Cuyas. It really was just sublime. Everything from size, weight and craftsmanship was there. I have a long way to go in this new career. Also an added bonus was seeing work from Timothy Information Ltd. the timing was perfect and both my husband and myself just laughed, fortunately so did Mike. It was days after the death of Margaret Thatcher and the work of Timothy suited our politics completely. I want to meet this man.
Velvet de Vinci is a wonderful airy gallery with a vast array of contemporary jewellery displayed it was a great find and I will be back and dare I say to deliver some of my work! Well if you don’t put it out there,
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I can hide no longer . . .

It is said, ‘truth will out’ and I can no longer hide what I truly love.  Earrings !

They may not be the main focus in contemporary jewellery but I am always drawn to them and the making of them.

So here are some examples of earrings recently made. They are made from oxidised silver or copper with enamel. They all reference my interest in imperfection and so no two are the same.

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